91% Lincoln

All Critics (160) | Top Critics (43) | Fresh (145) | Rotten (15)

It's the most remarkable movie Steven Spielberg has made in quite a spell, and one of the things that makes it remarkable is how it fulfills those expectations by simultaneously ignoring and transcending them.

Lincoln paints a powerful and compelling portrait of the man who has become an icon. We don't need to see more of his life to understand how rare a figure he was - this window is more than sufficient.

Lincoln offers proof of what magic can happen when an actor falls in love with his character. Because as great as Day-Lewis has been in his many parts, he has never seemed quite so smitten.

The film masterfully captures the dual dilemmas facing the president in the final months of his life: how to bring the war between the states to an end, and how to eradicate slavery, once and for all.

Lincoln is a stirring reminder that politics can be noble. Might there be a lesson here for today's shrill D.C. discourse? 'Tis a consummation devoutly to be wished.

Day-Lewis' voice is thin and reedy, which jibes with historical accounts but subverts our expectations. His attitude makes listeners lean in, and so do we, magnetized by his kindly reserve.

Daniel Day-Lewis is picture-perfect as 'Lincoln.'

Spielberg respects his audience's intelligence enough to tell the complex story and maintain a great deal of historical accuracy.

Why don't we give the best actor Oscar to Daniel Day-Lewis right now and save everyone a lot of trouble?

A poignant portrait of Lincoln's last days, time spent as a marked man making his appointed rounds en route to his rendezvous with destiny.

The best aspect of Lincoln is the stellar performance by Daniel Day-Lewis as Abraham Lincoln. Day-Lewis always is devoted to finding the authenticity.

Lincoln's cast gets high marks for making the film more entertaining than it has any right to be.

Superlative and spellbinding, this surprisingly relevant observation on the essence of leadership is, undoubtedly, one of the best pictures of the year.

Figuratively, at its visual core, 'Lincoln' is a collection of Mathew Brady photos come to life. Daniel Day-Lewis dominates. His Oscar worthy performance encompasses greatness...(He) IS Lincoln.

For all its good intentions and spurts of innovation, it never really comes alive as living, breathing history. Instead, it too often plays like an audio reading of the Congressional Record, with some unwieldy domestic scenes tossed in for good measure.

What I wanted to say to Daniel Day-Lewis and Sally Field: for God's sake, just stop and take your Oscars...you're breaking my heart and you're killing me.

Too long, too many side stories but great work from Daniel Day-Lewis. Director Steven Spielberg often shoots him in poses that make him look like Lincoln's famous penny.

No matter what, Lincoln is a sharp and patient movie that compares well to other contemplative films seen in recent years. Like The Social Network or Moneyball, we step inside the process and explore it in vivid detail.

A lively, intelligent, and even fun examination of how one man inspired America to change forever.

Lincoln lives, vividly, in Daniel Day-Lewis' performance.

We end up believing in the actor, in Lincoln himself, and in his mission - if not exactly the self-imposed pomp and circumstance of the history lesson.

Lincoln peels back the mythos just enough to give us glimpses of our 16th President as a living, breathing man and the result of this loving portrait is one of the best movies of the year.

This is how the political sausage is made and it will make you feel better about American Democracy. Not many movies can say that.

Source: http://www.rottentomatoes.com/m/lincoln_2011/

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